A collaborative release with the visual artist Shannon Ebner, STRAY: A GRAPHIC TONE features the poems of Susan Howe and Nathaniel Mackey. Produced and collated by Ebner, STRAY: A GRAPHIC TONE juxtaposes historic and recent material from Howe and Mackey between 1991 – 2018. The work brought together specifically examines the two writers’ lifelong preoccupation with subjects adrift in dispossessed narratives both real and imagined. A gatefold LP, the liner notes for the album feature excerpts of original interviews, as well as reproductions of the poets’ published materials. According to Ebner, “STRAY: A GRAPHIC TONE is the full-length version of what I started in 2016 when I began seeking exchanges with these two poets. I was drawn to their works for their experiments with poetic form – for their politics of poetic form, to be exact – for their poems’ stray figures and stray errant marks.”
STRAY: A GRAPHIC TONE was recorded at various locales between 1991 and 2018. The album was edited and produced by Shannon Ebner and mastered and engineered by Joseph Stewart. STRAY can also be found digitally on Spotify.
A gatefold LP STRAY: A GRAPHIC TONE includes original interviews and artist materials on its foldout sleeves. Find two interview excerpts below:
“…sound is everything in poetry. It’s measure; the measure is everything. Even though I have gone on about silence. This is the mystery. I don’t have a set measure, but I feel that something about the way I place words on paper amounts to a kind of dictation I’m receiving from somewhere. Every mark on paper is an acoustic mark. Sound is also, obviously, sight. It’s that instant flash of recognition that echoes and re-echoes. A work of art if it works teaches us we haven’t seen what we suddenly see.”–Susan Howe
‘Graphite is soft carbon. Were it hard enough to withstand contact and remain totally self-contained, it would not be useful for writing. Graphite gives up some of itself upon contact with paper. Graphite suffers a loss that leaves a mark.’ So, the music I’m talking about, the writing I’m talking about, is talking about loss that leaves a mark. And not just talking about it; it is the mark that’s left.”–Nathaniel Mackey
Track List
SIDE A–Susan Howe
1. Extract from a Letter
2. Hope Atherton’s Wanderings
3. Loving Friends and Kindred
4. Scattering as Behavior Toward Risk
5. Abide
6. Little Sir Echo
7. An excerpt from the foreword to DEBTHS
SIDE B–Nathaniel Mackey
1. Intro
2. Dogon Eclipse
3. Song of the Andoumboulou: 1
4. Song of the Andoumboulou: 50
5. An excerpt from “Lone Coast Anacrusis”
6. Parlay Cheval Ou
A collaborative release with the visual artist Shannon Ebner, STRAY: A GRAPHIC TONE features the poems of Susan Howe and Nathaniel Mackey. Produced and collated by Ebner, STRAY: A GRAPHIC TONE juxtaposes historic and recent material from Howe and Mackey between 1991 – 2018. The work brought together specifically examines the two writers’ lifelong preoccupation with subjects adrift in dispossessed narratives both real and imagined. A gatefold LP, the liner notes for the album feature excerpts of original interviews, as well as reproductions of the poets’ published materials. According to Ebner, “STRAY: A GRAPHIC TONE is the full-length version of what I started in 2016 when I began seeking exchanges with these two poets. I was drawn to their works for their experiments with poetic form – for their politics of poetic form, to be exact – for their poems’ stray figures and stray errant marks.”
STRAY: A GRAPHIC TONE was recorded at various locales between 1991 and 2018. The album was edited and produced by Shannon Ebner and mastered and engineered by Joseph Stewart. STRAY can also be found digitally on Spotify.
A gatefold LP STRAY: A GRAPHIC TONE includes original interviews and artist materials on its foldout sleeves. Find two interview excerpts below:
“…sound is everything in poetry. It’s measure; the measure is everything. Even though I have gone on about silence. This is the mystery. I don’t have a set measure, but I feel that something about the way I place words on paper amounts to a kind of dictation I’m receiving from somewhere. Every mark on paper is an acoustic mark. Sound is also, obviously, sight. It’s that instant flash of recognition that echoes and re-echoes. A work of art if it works teaches us we haven’t seen what we suddenly see.”–Susan Howe
‘Graphite is soft carbon. Were it hard enough to withstand contact and remain totally self-contained, it would not be useful for writing. Graphite gives up some of itself upon contact with paper. Graphite suffers a loss that leaves a mark.’ So, the music I’m talking about, the writing I’m talking about, is talking about loss that leaves a mark. And not just talking about it; it is the mark that’s left.”–Nathaniel Mackey
Track List
SIDE A–Susan Howe
1. Extract from a Letter
2. Hope Atherton’s Wanderings
3. Loving Friends and Kindred
4. Scattering as Behavior Toward Risk
5. Abide
6. Little Sir Echo
7. An excerpt from the foreword to DEBTHS
SIDE B–Nathaniel Mackey
1. Intro
2. Dogon Eclipse
3. Song of the Andoumboulou: 1
4. Song of the Andoumboulou: 50
5. An excerpt from “Lone Coast Anacrusis”
6. Parlay Cheval Ou
